ふるかはひでたか Hidetaka Furukawa

吉野寿司 十贯寿司 内八贯 江户最古老的餐厅,“吉野寿司”。

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江户,也就是东京的前身,在十八世纪就已经是一个拥有百万人口的城市。在那里,日式料理发展成了现代的风格。当时,蓬勃发展的出版业引领着市民文化。当然,从木刻本和锦绘中,我们可以窥见江户时代的人们所喜爱的食物和流行的店铺。他们所吃的料理,与我们现代人所享用的料理,究竟有多少相似之处,又有多少不同呢?
受到江户时代遗留下来的关于食物的文章和绘画的启发,我寻觅着传承其精髓的现代料理,并四处品尝饮酒。在此基础上,我一边缅怀着广重、国芳、三马等人,一边描绘着这些美食。
佐以资料细细品味,眼前的每一道菜肴都令人浮想联翩。料理的背后究竟积淀了多少时光?以江户前丰富的食材为基础,城市扩张所带来的活跃经济,也促进了各地特产和各种调味料的流通。正是在这样的城市里,寿司、天妇罗、荞麦面和鳗鱼饭等才得以确立现代的风格。每天,料理都在被享用,又不断焕然一新。一代又一代的工匠传承技艺,传递味道,而不断变化的潮流和每一位料理人的灵感,又为料理带来了怎样的变革呢?
即便如此,比起作为文化容器的景观,传统景色却在吃完就会消失的盘子上得以传承,果然日本是一个独特而有趣的国家。

古川英隆

十贯握り 内八贯 寿司:十贯寿司中,有八贯是握寿司。

2016年制作

丙烯颜料画布,木板尺寸:20×25

商品コード : 2020-11-142

作家情報

ふるかはひでたか Hidetaka Furukawa

Born in Kariya in 1968. Completed master's course at Tokyo University of the Arts Graduate School of Fine Arts, majoring in mural painting. artist. Draws the cover art for the business magazine "Yakuzaizai" from its first issue. There are a wide range of expressions such as two-dimensional, three-dimensional, and writing. On a plane rich in implications based on abundant research, we explore the mixture and harmony of Japanese and Western expressions.

Hidetaka Furukawa always expresses himself using a wide variety of materials - implements, diaries, biology and music, without sticking to any particular style. In recent years, he has expanded a series named "CULTIVATE" which portrays land as the subject. Discovering the identity of the region from historical documents and fieldwork, and shining a spotlight on forgotten people and events, the series has become one of the pillars of his activity. He has handled many conceptual three-dimensional works, but is also noted for works in two dimensions which freely manipulate Japanese and Western styles.

He has also painted the cover of the business magazine "Pharmaceutical Economy" since its first issue. He has a wide range of expression, including two-dimensional, three-dimensional, and written works. In his two-dimensional works, which are rich in connotations based on extensive interviews, he seeks a mixture and harmony of Japanese and Western expressions.

recent exhibition

2018 The original road / That place ni crawling grass Nagoya Ain Soph Dispatch
2019 Edo-Tokyo Perspective Nihonbashi Mitsukoshi Main Store Art Spot
2020 Tokyo Fleeting cityscape Ginza Mitsukoshi Ginza main store gallery
2020 Painting or blank space Gifu Naufu Gendai
2021 Walking around Edo Tokyo Nihonbashi Shinobazu Gallery, etc.

 



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Hidetaka Furukawa