"Yokohama Nigiwai-za Hyakkei" is a series of works that represent the artist's life work in the artist room "Nihonjin" at Park Hotel Tokyo.
We will post 6 works of the 5th edition.
Copper engraving (etching, aquatint)
Image size 150×113mm
The 25th "Shamisen Mandan"
It's stylish and has a nice atmosphere. Koza conveys such words as they are. Master Sanpei's musical accompaniment. Shinsei master's accompaniment. Enka master's accompaniment, etc. Various things are spun out from the shamisen.
Shamisen comedy / Dance at Sanyutei Koen Utajime. "Kappore"
26 "After the Show"
The rakugo-kai, which starts at 2:00 pm, ends between 4:00 and 5:00 when the curtain is lowered. A questionnaire is included in the flyer handed out at the entrance, and although not everyone will fill it out, the performers and staff will cherish it and use it as a reference in the future. There was a person on the floor in front of the venue who was trying hard to write sentences, perhaps because he felt that if he stayed in the audience it would get in the way of cleaning up. It's one of the real pleasures of Koza Engei, where you can feel close to the performers.
The 27th "Rokyoku"
There is also a koza with plenty of rokyoku, such as Mokubatei in Asakusa. "Yokohama Nigiwaiza Tozai Rokyoku Special Selection". Taro Higashiieura "The Wild Fox Three-Way Tree End Selling". The stage is beautifully decorated with curtains from each patron. "Today is the third time I've been to Yokohama Nigiwai-za since Sugiotoshi. It's been 15 years since I became Urataro..."
The shamisen cannot be seen from the audience, and for some reason only the microphone is visible. The composer is Hidetoshi Itami.
The 28th "Classical Rakugo"
Among the classic rakugo stories, there are many heartwarming stories such as Ikkyu's fairy tales. It's not hard to imagine that there were actually many retired people who would pretend to know something about the younger ones and show off. When it comes to vulgarity, it means vulgarity, but Shoya Shunputei plays it lightly as an opening story and connects it to the next performer.
The 29th "Classical Rakugo"
There are many performers who have been on stage for generations, and Mikio Katsura is one of them, and he often brings the topic of second-generation talent to makura. I know that the audience is also looking forward to it.
Today's story is "newspaper article", "Amida Pond" in Kamigata. ``It's the wife of the tempura restaurant.
That Sancho "Rokyoku"
"Tsubosaka Reigenki" by Momoko Ota, a rōkyoku performer. In the East-West competition of rokyoku performers, the curtains are lowered each time the performer changes, and each curtain changes in color, making it a beautiful sight to see. It feels like the rokyoku story is getting more and more convoluted. It's fun. "At Tsubosaka, the smiles of a wife and husband holding hands and the spring breeze..."
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